William Peterson’s lighting design is both subtle and striking in parts, but never too much. I loved how it highlights important impressions within the script and keeps the pacing and action high. -- Front Row Reviewers
The lighting by William Peterson was simply brilliant, with blue and amber cross beams of light leading the gaze into a mysterious land, in which threats of darkness and glimmers of hope could coexist with equal chance. -- LoveDanceMore
Lighting Design (William Peterson) is handled effectively throughout the performance as a gentle emphasis on Marie’s struggle to understand the world which has spun out of her control. Her bouts with despair, depression, and perception are enhanced and, in turn, we are influenced in our understanding of her plight by the hue and shading we absorb. That can be difficult to accomplish in an intimate setting. -- Front Row Reviewers
"...the way Director Tracy Callahan staged the ending, along with William Peterson’s lighting (with Arabic text written in red), and Jess Greenberg’s sound, I was left with permanent and powerful images in my mind." -- Utah Theatre Bloggers
"In one scene, the shop fades to black, inside and out, but the tall doors on both sides of the stage stay dimly lit, casting an oval of light in front of each one; the effect was idyllic, thanks to William Peterson’s lighting design". -- UTAH THEATE BLOGGERS
"Lighting designer WIlliam Peterson provided the right amount of Hollywood ambiance while still giving theatrical oomph..." Utah Theatre Bloggers